LARES Pompe

Original publication: Born digital document.

Authors: Cristina de las Llagas Rodríguez (2023-05-23: written contents); Esperanza Macarena Ródenas Perea (2023-05-23: written contents); Elena Muñiz Grijalvo (2023-05-23: written contents)

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Morphology

πομπή, ῆς (ἡ) ➚, (pompé), subst. f., sending/conduct/escort/procession, pompa, ae.

Etymology

The word πομπή is an action noun that derives from the verb πέμπω ➚ (‘to send’). The origin of the verb πέμπω is unknown. Πομπή appears next to other derived words such as the nouns πομπός ➚ and πομπέυς ➚ early in Homer. The Homeric meaning that can be distinguished for πομπή/πομπός/πομπέυς is related to the idea of ‘sending’, ‘conducting’, ‘guiding’ or in its nominal form, of an ‘escort’, a ‘conductor’ or a ‘guide’. The later Classical meaning would refer to the ceremony known as ‘procession’ or ‘pageant’, but other different meanings can also be attested (RE 1894-1980: 1879-1883).

Testimonies

1 and 2. In literary texts - The Homeric idea of an ‘escort’ and ‘sending (forward)’

As for πομπήin the Homeric sense as an ‘escort’, it alludes to the idea of an escort provided by both humans and gods who are in a position of power towards the object of escorting, but not in the opposite way. Gods can be escorts, but escorts cannot be given to gods. Humans can also be escorts, as it can be seen in the passage of the escorts given by the Phaecians to the lost Odysseus (Hom. Od. VI, 290). Πομπός and πομπέυς also allude to the idea of an ‘escort’, and this may include gods, such as Hypnos and Thanatos(Hom. Il. XVI 671,681), Athena (Hom. Od. IV, 826) and later Charon or Hermes as ψυχοπομπός (Eur. Alc. 361 - Diod. Sic. I, 96). According to the RE, πομπός appears occasionally in the Iliad but πομπέυς only seems to appear in the Odyssey. Despite its later meaning as ‘procession’, the Homeric word does not entail a religious or cultic sense (RE 1894-1980: 1879-1883).

As for the typological classification that has been established for LARES, the testimonies have been divided into different categories. Perseus’ vocabulary tool registers differences in meaning for the following words: πομπή and πoμπóς (nouns) are translated as ‘conduct/escort’, πομπέυς(noun) as ‘one who attends’ and πομπαῖος, πóμπιμος and προπομπός (adj.) as the gerund ‘escorting/conducting’. Naturally, these are general translations and each author embellishes their adaptation differently, but these words have been grouped together according to two aspects: 1) the grammatical category of “nominal forms”, as distinguished from “verbal forms” (1, 1.2); 2) their translations related to the semantic field of ‘escort/guide/messenger’ and other derived words.

Another Homeric category according to the translation of 'sending (forward)' has been added. Although πομπή already figures in the 1) entry as ‘conduct/escort’ (noun), there are quite a few number of testimonies which have been translated as ‘sending” in the strict sense of ‘sending forth/forward’, which may not necessarily refer to ‘escort’ solely and which might be a closer derivation of the verb πέμπω.

3. The Herodotian sense

Herodotus uses widely a particular construction (θείῃ πομπῇ) in his works whose derivation is also used by Plutarch (πομπῇ δὲ θείᾳ) which tends to be translated as ‘divine providence’, perhaps by referring to the idea that fate is decided (‘guided’) by the will of the gods. Closer to this nuance, Plato also uses πομπῇ for the sending of dreams/divine signs by gods to mortals.

4. The Classical meaning

Later in the Classical period, πομπή would come to design a ‘procession’, both in the profane and the religious sense according to the RE (as problematic as this division can be), and it would end up replacing the Homeric word, although the latter would not completely disappear. Some authors such as Pindar may use both meanings interchangeably (Pind. Nem. III 25 - Pind. Nem. VII 46) (RE 1894-1980: 1879-1883). On the one hand, πομπή in the “profane” sense may refer to a ceremonial company or escort (hence alluding to the Homeric sense), funeral processions (ἐκφορά) and wedding processions (RE 1894-1980: 1883-1886). On the other, “religious” processions are understood as those which main purpose or focus is religious, that is, those who are celebrated within the context of religious festivals organized by the community in which the offering or the image of the deity is conducted/escorted towards a place or a god (RE 1894-1980: 1886; ThesCRAI 2004: 1-2).

In religious festivals, the procession was generally the first part of a total of four phases: the procession of the image/offering/sacrifice, the arrival of the procession at the place where the sacrifice or rites would take place, the sharing of the offering/sacrificial meat and the celebration of music, theatrical, poetic and agonistic contests. As the ThesCRAI accurately explains, the topographical element was essential for the development of the procession, and so it was its directionality (ThesCRAI 2004: 1-2; Graf 1996: 57-65).

5 and 6. Derogatory sense and other meanings

In the Roman period, authors such as Flavius Josephus, Lucian or Marcus Aurelius add a very interesting, derogatory sense to πομπή. Πομπή may also include other metonymic senses, such as the general idea of a ‘festival/spectacle’, ‘military campaign', 'triumph' or even ‘expedition’.

Catalogue of appearances

1) Homeric sense, ‘convoy/guide/escort/conduct(or)/messenger’ (πομπός/πομπή/πομπέυς/πομπαῖος/πóμπιμος/προπομπός - nominal forms)

1.2.) 'to guide/escort'

Hom. Od. XIII 422
Soph. Trach. 620

2) Homeric sense, ‘sending (forth)’ (πομπή)

3) Herodotian sense, ‘providence/divine guidance’ (θείῃ πομπῇ)

Hdt. I 62 4
Hdt. III 77, 1
Hdt. IV 152, 2
Hdt. VIII 94, 2
Plut. Vit. Rom. 9, 7

3.1) Sendings of divine signs/dreams

Pl. Resp. II 382e
Pl. Resp. II 383a

4) Classical meaning, 'procession'

5) Derogatory meaning

Joseph. AJ XIII 305
Joseph. BJ I 74
Lucian. Merc. Cond. 10
M. Aur. Med. VII 3, 1

6) Other meanings

Hymn. Hom. Herakl. 5.
(at the bidding of)
Aesch. Ag. 124
(in the sense of a military campaign)
Theophr. Char. 26
(in the sense of festival)
Polyb. VI, 39 9
(in the sense of a triumph)
St. I, 2
(in the sense of expedition)
Epictetus, Disc. IV 1,104-105
(in the sense of a spectacle)

Discussion/Interpretation

It is worth analyzing diachronically the semantic classification that has been discussed above. For both Homeric senses, in the case of the first type (πομπός/πομπή/πομπέυς/πομπαῖος/πóμπιμος/προπομπός) there seems to be a continuity in meaning, although attestations of some words do suffer alterations within time. For example, within Homer some words may be documented for some works but not for others: πομπή and πομπός are attested in the Illiad and in the Odyssey, but πομπέυς and πομπέυω are only registered in the Odyssey. Later on, some new forms such as ψυχοπομπός and προπομπός do appear and are used profusely (RE 1894-1980: 1880). There also seems to be a continuity for the second type related to meaning of ‘sending’.

Some debate has aroused for the Herodotian meaning of θείῃ πομπῇ. According to Rahner (1931: 242), various testimonies found in Homer do allude to the idea of ‘divine providence’, by which mortals behave and act towards their fate instinctively following divine will. Rahner clearly sees in some Homeric texts (Hom. Il. VI, 171; Hom. Od. VII, 193; XIII, 422) that some gods guide humans towards their destiny, and are not acting merely as escorts, although the fixed θείῃ πομπῇ construction does not appear in Homer. The RE clearly disagrees with this view and insists that the Homeric idea doesn’t allude metaphorically to ‘destiny’, but quite literally to ‘escorting’ (RE 1894-1980: 1879-1880).

Although the Latin voice remains to be analysed, it is worth noting that in the Roman period, authors such as Flavius Josephus, Lucian and Marcus Aurelius use πομπή in a derogatory sense. In the case of Flavius Josephus, it is used to describe an individual as pompously arrogant as opposed to ‘splendid’ (λαμπρός, Joseph. BJ I 74):

κἀν τούτῳ προσιόντες οἱ πονηροὶ τῷ βασιλεῖ τήν τε πομπὴντῶν ὁπλιτῶν ἐδήλουν καὶ τὸ παράστημα τοῦ Ἀντιγόνου μεῖζον ἢ κατ᾽ ἰδιώτην, ὅτι τε παρείη μετὰ μεγίστου συντάγματος ἀναιρήσων αὐτόν: οὐ γὰρ ἀνέχεσθαι τιμὴν μόνον ἐκ βασιλείας ἔχων, παρὸν αὐτὴν κατασχεῖν. ➚

Now at this very time it was that these ill men came to the king, and told him in what a pompous manner the armed men came, and with what insolence Antigonus marched, and that such his insolence was too great for a private person, and that accordingly he was come with a great band of men to kill him; for that he could not endure this bare enjoyment of royal honor, when it was in his power to take the kingdom himself (Joseph. BJ I 74, trans. Whitson). ➚

Likewise, Marcus Aurelius warns about the frivolities of a series of celebrations, and he begins such enumeration with πομπή:

Πομπῆς κενοσπουδία, ἐπὶ σκηνῆς δράματα, ποίμνια, ἀγέλαι, διαδορατισμοί, κυνιδίοις ὀστάριον ἐρριμμένον, ψωμίον εἰς τὰς τῶν ἰχθύων δεξαμενάς, μυρμήκων ταλαιπωρίαι καὶ ἀχθοφορίαι, μυιδίων ἐπτοημένων διαδρομαί, σιγιλλάρια νευροσπαστούμενα. χρὴ οὖν ἐν τούτοις εὐμενῶς μὲν καὶ μὴ καταφρυαττόμενον ἑστάναι, παρακολουθεῖν μέντοι, ὅτι τοσούτου ἄξιος ἕκαστός ἐστιν, ὅσου ἄξιά ἐστι ταῦτα περὶ ἃ ἐσπούδακεν. ➚

The vain solicitude about shows, scenical representations, flocks and herds, [161] skirmishing, little bones cast in for contention among little dogs, baits cast into a fish-pond, the toiling of Ants, and their carrying of burdens, the fluttering of affrighted flies, the involuntary agitationsof puppets by wires! We ought to persist amidst such things with good-nature, without storming at them; and be persuaded that such is the worth of each person, as is the value of the things he pursues (M. Aur. Med. VII 3, 1, trans. Hutcherson and Moor).

So does Lucian when he advises philosophers to please their patrons in De mercede by helping them during their pageants, which some authors have translated as ‘triumphs’ (Luc. Merc. Cond. 10, trans. Fowler, H W and F G.).

Finally, πομπή may also be used as a neutral metonymy for festival/spectacle (Theophr. Char. 26; Epictetus, Disc. IV 1,104-105), a triumph (Polyb. VI, 39 9) or be related to the military field (Aesch. Ag. 124; St. I, 2). Although this entry focuses on πομπή, other words may be used for ‘procession’, like ἒξοδος, which appears in some inscriptions and papyri (such as the Canopus Decree or OGIS 56) and allude to processional rites, according to Bellantuono, related to women (Bellantuono 2019: 64-66), although it may also be a direct translation of the Egyptian term for procession prt/prw , 'coming forth'. (Stadler 2008: 3) .

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